Maurizio Nannucci, Westfälischer Kunstverein (It must be abstract), 1988 Exhibition Poster
Vintage exhibition poster: "It Must be Abstract" by Maurizio Nannucci, 1988 Unsigned Offset Lithograph Poster. Poster made on the occasion of the exhibition at Westphalian Art Association, Munster in 1988.
33 x 23.5 in
84.1 x 59.7 cm
Maurizio Nannucci was born in Florence on April 20, 1939. He studied at Florence’s Fine Art Academy and in Berlin before working for many years with experimental theater groups as a set designer. During the first half of the 1960s, he consolidated the basic elements of what would become his visual language by exploring the rapport between art, language, and image, and by creating the first Dattilo Grammi, in which words reclaim their strength as symbols. At the same time he was in contact with Fluxus artists, developed an interest for visual poetry, and collaborated with the studio “S 2F M” (Studio di Fonologia Musicale, Florence) to produce electronic music. Nannucci focused on using the voice and words to produce sound installations.
Since the mid-1960s, he explored the relationship between art, language and image, between light-color and space, creating unprecedented conceptual ideas, characterized by the use of different media: neon, photography, video, sound, editions and artist's books. In 1967, during his first solo exhibition at the Centro Arte Viva, Trieste, he presented his first neon light texts, thus emphasizing the temporary quality of writing and not the material quality of objects.
From 1974 to 1985 he was part of the non-profit space Zona in Florence, organizing over two hundred exhibitions and events. In 1981 he created Zona Radio, a radio station dedicated to artists' sound work and experimental music, and in 1998 founded together with Paolo Parisi, Massimo Nannucci, Carlo Guaita, Paolo Masi and Antonio Catelani, Base / Progetti per l’arte, a nonprofit space of artists for other artists.
During the 1990s the artist renewed his interest in the relationship between work, architecture, and urban landscape by collaborating with the architects Auer & Weber, Mario Botta, Massimiliano Fuksas, and Renzo Piano. Some of his permanent installations can be seen at the Auditorium of the Parco Della Musica and Fiumicino airport, both in Rome, and at the Bibliothek des Deutschen Bundestages, Berlin. Nannucci has been a featured artist at the Venice Biennale several times and has participated in Documenta, Kassel, and the São Paulo, Sydney, Istanbul, and Valencia biennials. His work belongs to museum collections all over the world, including those of The Museum of Modern Art, New York; the Stedelijk Museum, Amsterdam; the Centre Georges Pompidou, Paris; and the Paul Getty Art Center, Los Angeles.
Text via Artland and Wikipedia
B, very good vintage condition, with some light signs of age and handling. Some light marks are visible.
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